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Dietmar Brehm - Black Garden The moods of his films resemble an atmosphere between the dream and trauma. Brehm treats the dream as a source of strategies for association, similar to the secondary process to which according to Freud all the workings of the unconscious are subject. Dietmar Brehm a master of the grammar of a non-conceptual language. (Bert Rebhandl) |
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THE MURDER MYSTERY 1987/92, 16 min, BLICKLUST 1992, 16 min, PARTY 1995, 17 min, MACUMBA 1995, 18 min, CORRIDOR 1997, 18 min, ORGANICS 1998/99, 17 min,
BONUSTRACK: INTERVIEW MIT DIETMAR BREHM 2000, 8:30 min
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